“The gothic genre enabled writes to write about topics that it was unacceptable to talk about, by hiding unlawful or unacceptable topics behind gothic elements of horror,” he explains. The genre thematised topics such as death, decay, ghosts and curses. Gothic literature was a genre that originated in the romantic period. For instance, the writer Sigurd Mathiesen wrote gothic horror stories in the same period that were precisely about homoerotic love.” “The relationship between the narrator and the stranger may also be read as a doppelganger motif, in which case the stranger may be interpreted as a part of the narrator’s ‘I’ that he does not want to acknowledge,” he says. “I find it reasonable to read the power struggle between the narrator and the stranger as sexually charged: Two men battle with a homoerotic desire that they cannot act out, and they fight and struggle because they need to repress their true feelings.” Horror as pretextĪt the same time, the short story is also a type of horror story, Johnsson maintains. “In Hemmelig ve, however, there is a man who pursues another man, but no-one has interpreted that as erotic. Researchers have often interpreted this as an erotic motif. According to Johnsson, there are several examples of men pursuing women in Hamsun’s texts.
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